Concert, music, Opera / Operett

A Miskolci Szimfonikus Zenekar Újévi koncertjei

A Csokonai Nemzeti Színház Debrecen vendégjátéka

BEMUTATÓ: 2025. március 7.

ELŐADÁSOK: 2026. július 31., augusztus 01.
tervezett esőnapok: 2026. augusztus 2.

Georg Friedrich Händel – Wolfgang Amadeus Mozart
DER MESSIAS (MESSIAH) – CONCERT
Oratorio in three parts, in Hungarian, with Hungarian and English subtitles
Performance length: 2 hours, without intermissions

Giacomo Puccini
MADAMA BUTTERFLY
Opera in three acts, in Italian with Hungarian, English, and Italian subtitles

For the 13th time, the performance of the famous Symphony No. 9 will dominate the OPERA’s New Year celebrations. Every year, a different brilliant composer is selected to direct the masterpiece, and there are no other ensembles in Hungary than the OPERA Orchestra and Chorus who are better acquainted with this work perfect to underscore the hope of a new year.

Together with her internationally successful early music ensemble, L’Arpeggiata, harpist and theorbo-player Christina Pluhar are renowned for fashioning each and every concert programme out of a unique project. For this occasion, they have chosen one of the greatest masterpieces from the Baroque opera literature:

The 29th MUSIC-WINE celebration has already become a tradition, where every year on December 30, the world's one and only 100 Member Gypsy Orchestra gives a grand gala concert.

31. Újévi Koncert Egerben

Wagner
Parsifal – festive musical stage play in three acts (German-language performance, with Hungarian surtitles)

Új, nagyszabású zenés színházi élmény a bor, a történelem és az operett jegyében az Újévben a Monarchia Operettel!

Pietro Mascagni
MESSA DI GLORIA / CAVALLERIA RUSTICANA
Concert performances with Hungarian, English, and same-language subtitles

Stars' recitals with piano
Featuring: Ludovic Tézier

Aria and song recital

Running time 2 hours including one interval
Surtite Hungarian, English, same-language.

Without ever knowing, the heroine of this Vincenzo Bellini opera performs death-defying feats at dizzying heights, while the singer tasked with portraying her is only too aware that hers is one of the bel canto repertoire’s most beautiful and risky roles.

Franco Zeffirelli’s staging of La Bohème has been a New York favourite since 1981, and this enchantingly lyrical, vibrantly youthful and extremely touching production is now making its fourth appearance on the programme of the MET’s global broadcasts.

Franco Zeffirelli’s staging of La Bohème has been a New York favourite since 1981, and this enchantingly lyrical, vibrantly youthful and extremely touching production is now making its fourth appearance on the programme of the MET’s global broadcasts.

BMW Afternoons - concert

Running time 2 hours without intervals
German Language; Hungarian, English, German Surtitle

Richard Strauss and Hugo von Hofmannsthal’s last joint opera, Arabella is a cheerful and poignant farewell to a bygone, peaceful Vienna. It now returns to the MET’s repertoire in Otto Schenk’s 1983 production, following his sad passing this year.

Richard Strauss and Hugo von Hofmannsthal’s last joint opera, Arabella is a cheerful and poignant farewell to a bygone, peaceful Vienna. It now returns to the MET’s repertoire in Otto Schenk’s 1983 production, following his sad passing this year.

Prima Donnas
ILDIKÓ KOMLÓSI
Festive gala concert with Hungarian and English surtitles

Prima Donnas + 2 Heroes
Gábor Bretz

“Loved to the gallows” could be an alternative title of Umberto Giordano’s opera, which serves up a grand historical tableau, a love that even defies death, and, last but not least, three brilliant leading roles.

“Loved to the gallows” could be an alternative title of Umberto Giordano’s opera, which serves up a grand historical tableau, a love that even defies death, and, last but not least, three brilliant leading roles.

A Hírös Agóra és a Kecskeméti Szimfonikus Zenekar hagyományos újévi hangversenye.

Vincenzo Bellini’s final opera is a veritable apotheosis of bel canto that should only be presented to an audience with performers displaying impeccable technique and stylistic sensibilities.

Vincenzo Bellini’s final opera is a veritable apotheosis of bel canto that should only be presented to an audience with performers displaying impeccable technique and stylistic sensibilities.

Zene-Hagyomány-Közösség
Kezdje az új évet zenével, szenvedéllyel és magyar hagyománnyal!